Lydol: the time of forgetting and forgiveness
- Rainbow Word
- Aug 16
- 2 min read
For the past few months, the heavy shadow of the inexpressible family drama has been hanging on the Slameuse Lydol. After having sorely tearing his life in Little Mathis, the artist's father (Bleck) is behind bars for the tragic murder he committed. This shadow, she carries it publicly because in the wake of the scandal, a wave of public vindictive fell on it with incredible violence. Deemed by proxy, harassed, nailed to the media and digital pillory, the storm was so brutal that it had no choice but to flee to find itself in Canada.
For a while, silence was his only answer. A heavy silence, necessary, undoubtedly out of respect for the memory of the little angel and to bear the weight of a story that has become his. But more and more, Lydol gradually comes out of his discreet retirement. Slowly, she goes back on stage. She also reappears on social networks, sharing fragments of her life, her creativity, messages sometimes tinged with melancholy.
.His return to the front of the stage does not leave the Internet users indifferent. For some it is not always the time to return to the gravity of the act that caused by his father. For others on the contrary, it is time to turn the page, to put aside the torrents of hatred and .Fierce criticism to make way for understanding, tolerance and respect for his career.
The artist therefore seems to have opened the page of reconstruction, the resumption of his activities and the expression of his art. Will it be able to do it? Will the story of his family allow him? But above all is that the public is ready to leave him this opportunity? Several questions spring up following this return from Lydol to the showbiz. Only time will give us answers.
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